http://www.youtube.com/watch?v=TUcCEqZbemE
Through
the use of various colors, sounds, music, symbolism, and camera
angles, the movie Punch-Drunk Love,
directed by Paul Thomas Anderson, not only shows the physical
isolated state of Adam Sandler but expresses the emotional isolated
state of him as well using different shots.
I
started analyzing this scene right when Barry is then taken by the
four blonde brothers. As the first bit of dialogue in this scene
begins, Barry stutters his words, has nervous expressions and
body movements, which gives off the feeling that he is timid, scared
and unsure of himself. As this scary type of music gets louder it
heightens the tension as the fourth brother comes into the frame
and punches Barry
down to the ground as the camera moves into a subjective camera angle
and takes us on a sideways perspective with Barry as he falls showing
his view of the brothers license plate (his POV). Also the next
shot, a close up of Barry gives off a more emotional effect and after
seeing Barry’s reaction to seeing the license plate where shortly
after the suspense starts to heighten with the scary music coming
back into play, (sharp violin playing) making us feel that this
moment is still not safe for him. Barry gets up and the shot shows an
extreme long shot of the parking lot of the bank giving us hope that
Barry has somewhere to run away to.
The shrieking music and sound
effects increases the suspense as Barry starts to run into the
shadows, making us feel nervous for him. Listening without the sound
definitely wasn't as suspenseful as it was listening with the sound.
The use of shadows through-out this scene also helps to give Barry
somewhere to hide or to feel hidden. It then cuts to Barry running
along this bright white wall. Whiteness, especially white walls seem
to be one of the common color themes through-out this movie and
scene. The white seems to symbolize some type of enclosed or isolated
room, kind of thinking of an insane asylum white room. While he runs
faster and faster the music gets a little faster to keep up the
suspense. A little later on the camera then moves into a high angle
shot to which gives us the sense that he is feeling belittled or
isolated, at the same time making me feel some sort of anxiety. The
lack of sound for a few seconds also adds to the sense of isolation
and the quietness in this shot makes you question whether he is safe
or not, by this point you just feel bad for him.
Back to a tracking
shot we are then lead back to Barry running out of the dead end, with
the music intensifying again and with the sounds of a car making us
feel like the four brothers are close by, it creates an even more
dramatic suspenseful feeling and also heightens the tension even
more. Those car sounds were probably edited in after the filming, as well as the sound earlier of Barry getting punched. There are a lot of scenes in this film that are great examples
to how music or any sounds definitely adds to every scene, helping to
create a certain feeling among the audience.
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